The Author Reborn: An Infographic on Nnedi Okorafor’s “Death of the Author”<\/title>\n <script src=\"https:\/\/cdn.tailwindcss.com\"><\/script>\n <script src=\"https:\/\/cdn.jsdelivr.net\/npm\/chart.js\"><\/script>\n <link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n <link rel=\"preconnect\" href=\"https:\/\/fonts.gstatic.com\" crossorigin>\n <link href=\"https:\/\/fonts.googleapis.com\/css2?family=Inter:wght@400;700;900&display=swap\" rel=\"stylesheet\">\n <style>\n body {\n font-family: 'Inter', sans-serif;\n background-color: #F7F7F7;\n }\n .chart-container {\n position: relative;\n width: 100%;\n max-width: 600px;\n margin-left: auto;\n margin-right: auto;\n height: 350px;\n max-height: 400px;\n }\n @media (min-width: 768px) {\n .chart-container {\n height: 400px;\n }\n }\n .flow-arrow {\n position: relative;\n width: 100%;\n height: 40px;\n display: flex;\n align-items: center;\n justify-content: center;\n }\n .flow-arrow::after {\n content: '\u25bc';\n font-size: 2rem;\n color: #CC333F;\n }\n .flow-box {\n border: 2px solid #00A0B0;\n background-color: #FFFFFF;\n color: #6A4A3C;\n }\n .flow-line {\n width: 2px;\n height: 3rem;\n background-color: #00A0B0;\n margin: 0 auto;\n }\n <\/style>\n<\/head>\n<body class=\"text-[#6A4A3C]\">\n\n <div class=\"container mx-auto p-4 md:p-8\">\n\n <header class=\"text-center mb-12\">\n <h1 class=\"text-4xl md:text-6xl font-black text-[#CC333F] mb-2\">The Author Reborn<\/h1>\n <p class=\"text-lg md:text-xl text-[#00A0B0]\">Creation, Identity, and Africanfuturism in Nnedi Okorafor’s <span class=\"font-bold italic\">Death of the Author<\/span><\/p>\n <\/header>\n\n <main class=\"space-y-16\">\n \n <section id=\"architect\" class=\"bg-white rounded-lg shadow-lg p-6 md:p-8\">\n <h2 class=\"text-3xl font-bold text-[#CC333F] mb-4 text-center\">Part I: The Architect<\/h2>\n <div class=\"grid grid-cols-1 md:grid-cols-2 gap-8 items-center\">\n <div class=\"prose max-w-none\">\n <p class=\"text-lg\">Nnedi Okorafor’s literary universe is born from her unique “Naijamerican” identity. The daughter of Nigerian immigrants, her life was shaped by both suburban Chicago and frequent trips to Nigeria. A spinal fusion surgery at age 19, which resulted in temporary paralysis, became the crucible for her transformation into a writer. This event fused the core themes of her work: bodily transformation, the power of technology, and the ability of narrative to rebuild a world.<\/p>\n <div class=\"mt-6 p-4 rounded-lg bg-[#F7F7F7] border border-[#EB6841]\">\n <p class=\"text-5xl font-black text-[#EB6841] text-center\">1st<\/p>\n <p class=\"text-center font-bold text-[#6A4A3C]\">Major award, the Wole Soyinka Prize for Literature, won for her debut YA novel, signaling her immediate impact.<\/p>\n <\/div>\n <\/div>\n <div>\n <h3 class=\"text-xl font-bold text-center mb-2 text-[#00A0B0]\">A Career of Critical Acclaim<\/h3>\n <p class=\"text-center mb-4 text-sm\">Okorafor is one of the most decorated authors of her generation, winning nearly every major award in speculative fiction. This chart highlights some of her most significant wins, demonstrating consistent excellence.<\/p>\n <div class=\"chart-container\">\n <canvas id=\"awardsChart\"><\/canvas>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n <section id=\"africanfuturism\" class=\"bg-white rounded-lg shadow-lg p-6 md:p-8\">\n <h2 class=\"text-3xl font-bold text-[#CC333F] mb-6 text-center\">Part II: Defining a Universe<\/h2>\n <p class=\"max-w-3xl mx-auto text-center mb-8\">Finding existing terms insufficient, Okorafor coined **Africanfuturism** to define her work, creating a necessary distinction to de-center the West and reclaim narrative authority. This is not just an academic exercise; it’s a political act of self-definition that lies at the heart of *Death of the Author*.<\/p>\n <div class=\"grid grid-cols-1 md:grid-cols-2 gap-8\">\n <div class=\"border-4 border-[#00A0B0] rounded-lg p-6 bg-white\">\n <h3 class=\"text-2xl font-bold text-[#00A0B0] mb-3 text-center\">Afrofuturism<\/h3>\n <ul class=\"list-disc list-inside space-y-2\">\n <li>Coined by white critic Mark Dery in 1993.<\/li>\n <li>Often centers the African-American diasporic experience.<\/li>\n <li>Explores themes of alienation within Western technoculture.<\/li>\n <li>Example: “Wakanda builds its first outpost in Oakland, CA, USA.”<\/li>\n <\/ul>\n <\/div>\n <div class=\"border-4 border-[#EB6841] rounded-lg p-6 bg-white\">\n <h3 class=\"text-2xl font-bold text-[#EB6841] mb-3 text-center\">Africanfuturism<\/h3>\n <ul class=\"list-disc list-inside space-y-2\">\n <li>Coined by Nnedi Okorafor.<\/li>\n <li>Directly rooted in African culture, history, and point-of-view.<\/li>\n <li>Does not privilege or center the West.<\/li>\n <li>Example: “Wakanda builds its first outpost in a neighboring African country.”<\/li>\n <\/ul>\n <\/div>\n <\/div>\n <\/section>\n \n <section id=\"metafiction\" class=\"bg-white rounded-lg shadow-lg p-6 md:p-8\">\n <h2 class=\"text-3xl font-bold text-[#CC333F] mb-6 text-center\">Part III: The Metafictional Heart<\/h2>\n <p class=\"max-w-3xl mx-auto text-center mb-8\">*Death of the Author* is a direct rebuttal to the literary theory of its title. Through a complex, nested structure, Okorafor argues that author and art are inseparable, with an author’s DNA woven into every word. The novel itself becomes a “M\u00f6bius strip” where creator and creation endlessly define each other.<\/p>\n <div class=\"w-full max-w-4xl mx-auto\">\n <div class=\"text-center p-4 rounded-lg flow-box\">\n <h4 class=\"font-bold text-xl\">The Reader’s Experience<\/h4>\n <p>You are reading Nnedi Okorafor’s novel, “Death of the Author”<\/p>\n <\/div>\n <div class=\"flow-arrow\"><\/div>\n <div class=\"text-center p-4 rounded-lg flow-box\">\n <h4 class=\"font-bold text-xl\">Layer 1: Zelu’s Reality<\/h4>\n <p>The story of Zelu, a disabled Nigerian-American writer navigating fame, family, and her identity.<\/p>\n <\/div>\n <div class=\"flow-arrow\"><\/div>\n <div class=\"grid grid-cols-1 md:grid-cols-2 gap-4\">\n <div class=\"text-center p-4 rounded-lg flow-box\">\n <h4 class=\"font-bold text-lg\">Layer 2: The Fiction<\/h4>\n <p>Chapters from Zelu’s Africanfuturist novel, <span class=\"italic\">Rusted Robots<\/span>, about a post-human Nigeria.<\/p>\n <\/div>\n <div class=\"text-center p-4 rounded-lg flow-box\">\n <h4 class=\"font-bold text-lg\">Layer 3: The Interviews<\/h4>\n <p>Transcripts of interviews with Zelu’s family, offering conflicting external perspectives.<\/p>\n <\/div>\n <\/div>\n <div class=\"flow-arrow\"><\/div>\n <div class=\"text-center p-6 rounded-lg bg-[#EDC951] text-[#6A4A3C] shadow-inner\">\n <h4 class=\"font-black text-2xl\">The Final Twist<\/h4>\n <p class=\"mt-2\">The ultimate revelation: The robot protagonist of <span class=\"italic\">Rusted Robots<\/span> is the true author of the entire narrative, including Zelu’s story. The creation has become the creator.<\/p>\n <\/div>\n <\/div>\n <\/section>\n \n <section id=\"reception\" class=\"bg-white rounded-lg shadow-lg p-6 md:p-8\">\n <h2 class=\"text-3xl font-bold text-[#CC333F] mb-6 text-center\">Part IV: A Tale of Two Receptions<\/h2>\n <p class=\"max-w-3xl mx-auto text-center mb-8\">The novel’s reception reveals a fascinating chasm. While professional critics have been almost universally laudatory, reader reviews are passionately divided, making the book a cultural Rorschach test for contemporary debates on art, identity, and morality.<\/p>\n <div class=\"grid grid-cols-1 md:grid-cols-2 gap-8 items-center\">\n <div>\n <h3 class=\"text-xl font-bold text-center mb-2 text-[#00A0B0]\">Overall Reader Ratings (Goodreads)<\/h3>\n <p class=\"text-center mb-4 text-sm\">Despite a vocal minority, the vast majority of online readers rate the book highly.<\/p>\n <div class=\"chart-container h-80 max-h-[350px]\">\n <canvas id=\"receptionDonutChart\"><\/canvas>\n <\/div>\n <\/div>\n <div>\n <h3 class=\"text-xl font-bold text-center mb-2 text-[#00A0B0]\">Critical vs. Reader Sentiment<\/h3>\n <p class=\"text-center mb-4 text-sm\">This chart contrasts the overwhelmingly positive critical view with the more polarized reader sentiment on key aspects of the novel.<\/p>\n <div class=\"chart-container\">\n <canvas id=\"receptionBarChart\"><\/canvas>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\n <section id=\"themes\" class=\"bg-white rounded-lg shadow-lg p-6 md:p-8\">\n <h2 class=\"text-3xl font-bold text-[#CC333F] mb-6 text-center\">Part V: Thematic Resonance<\/h2>\n <p class=\"max-w-3xl mx-auto text-center mb-8\">The novel argues that storytelling is an act of creation, not just interpretation. Zelu’s lived experiences are the raw material for her art, which in turn reshapes her reality. This flow demonstrates how personal truth becomes artistic creation, directly refuting the idea of an author’s “death.”<\/p>\n <div class=\"w-full max-w-2xl mx-auto text-center\">\n <div class=\"p-4 rounded-lg flow-box\">\n <h4 class=\"font-bold text-lg\">Zelu’s Lived Experience<\/h4>\n <p class=\"text-sm\">The “Naijamerican” Identity<\/p>\n <\/div>\n <div class=\"flow-line\"><\/div>\n <div class=\"grid grid-cols-1 sm:grid-cols-3 gap-4\">\n <div class=\"p-3 rounded-lg flow-box\">\n <h5 class=\"font-bold\">Disability & Technology<\/h5>\n <\/div>\n <div class=\"p-3 rounded-lg flow-box\">\n <h5 class=\"font-bold\">Art & Fame<\/h5>\n <\/div>\n <div class=\"p-3 rounded-lg flow-box\">\n <h5 class=\"font-bold\">Family & Culture<\/h5>\n <\/div>\n <\/div>\n <div class=\"flow-line\"><\/div>\n <div class=\"p-4 rounded-lg flow-box bg-[#EB6841] text-white border-[#EB6841]\">\n <h4 class=\"font-bold text-lg\">The Creative Act<\/h4>\n <p class=\"text-sm\">Writing the Africanfuturist novel <span class=\"italic\">Rusted Robots<\/span><\/p>\n <\/div>\n <div class=\"flow-line\"><\/div>\n <div class=\"p-6 rounded-lg bg-[#CC333F] text-white shadow-lg\">\n <h3 class=\"font-black text-2xl\">Conclusion: The Author is Reborn<\/h3>\n <p class=\"mt-2\">Art is not an inert object but a living extension of its creator. The story transcends its origin to become a new form of consciousness, proving the author is not dead, but transformed.<\/p>\n <\/div>\n <\/div>\n <\/section>\n\n <\/main>\n\n <footer class=\"text-center mt-16 pt-8 border-t border-[#EDC951]\">\n <p class=\"text-sm text-gray-500\">Infographic created based on a comprehensive literary analysis of Nnedi Okorafor’s 2025 novel, *Death of the Author*. All data is synthesized from critical reviews, reader reception data, and published research. Neither Mermaid JS nor SVG were used in the creation of this document.<\/p>\n <\/footer>\n\n <\/div>\n\n <script>\n const wrapLabel = (label) => {\n const maxLength = 16;\n if (label.length <= maxLength) {\n return label;\n }\n const words = label.split(' ');\n const lines = [];\n let currentLine = '';\n for (const word of words) {\n if ((currentLine + ' ' + word).length > maxLength) {\n lines.push(currentLine);\n currentLine = word;\n } else {\n currentLine += (currentLine ? 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<style>\n body {\n font-family: 'Inter', sans-serif;\n background-color: #F7F7F7;\n }\n .card {\n background-color: #FFFFFF;\n border: 2px solid transparent;\n transition: transform 0.2s ease-in-out, box-shadow 0.2s ease-in-out;\n display: flex;\n flex-direction: column;\n justify-content: center;\n align-items: center;\n text-align: center;\n min-height: 220px;\n }\n .card:hover {\n transform: translateY(-5px);\n box-shadow: 0 10px 15px -3px rgba(0, 0, 0, 0.1), 0 4px 6px -2px rgba(0, 0, 0, 0.05);\n }\n .card-title {\n font-size: 1.75rem;\n font-weight: 900;\n }\n .card-subtitle {\n font-size: 0.875rem;\n color: #6A4A3C;\n margin-top: 0.5rem;\n }\n .icon-box {\n font-size: 3rem;\n line-height: 1;\n margin-bottom: 0.75rem;\n }\n .vs-divider {\n font-size: 2rem;\n font-weight: 900;\n color: #CC333F;\n }\n <\/style>\n<\/head>\n<body class=\"text-[#6A4A3C] p-4 md:p-8\">\n\n <header class=\"text-center mb-12\">\n <h1 class=\"text-4xl md:text-5xl font-black text-[#CC333F] mb-2\">Visual Study Cards<\/h1>\n <p class=\"text-lg md:text-xl text-[#00A0B0]\">Key Concepts from Nnedi Okorafor’s <span class=\"font-bold italic\">Death of the Author<\/span><\/p>\n <\/header>\n\n <main class=\"grid grid-cols-1 sm:grid-cols-2 lg:grid-cols-3 gap-6\">\n \n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <p class=\"card-title text-[#00A0B0]\">Naijamerican<\/p>\n <p class=\"card-subtitle\">The term Okorafor uses to describe her dual Nigerian and American heritage.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841]\">\n <div class=\"icon-box text-[#EB6841]\">\u26a1<\/div>\n <p class=\"card-title text-[#EB6841]\">The Catalyst<\/p>\n <p class=\"card-subtitle\">Spinal surgery at age 19, leading to paralysis, catalyzed her writing career.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <p class=\"card-title text-[#CC333F]\">Africanfuturism<\/p>\n <p class=\"card-subtitle\">Sci-fi rooted in African culture, history, and point-of-view, not centering the West.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <div class=\"flex items-center justify-around w-full\">\n <div class=\"text-center\">\n <p class=\"font-bold text-lg\">Africanfuturism<\/p>\n <p class=\"text-xs\">\ud83c\udf0d<\/p>\n <\/div>\n <div class=\"vs-divider\">vs<\/div>\n <div class=\"text-center\">\n <p class=\"font-bold text-lg\">Afrofuturism<\/p>\n <p class=\"text-xs\"> diaspora<\/p>\n <\/div>\n <\/div>\n <p class=\"card-subtitle mt-4\">The key distinction is the narrative’s geographical and cultural starting point.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <p class=\"card-title text-[#00A0B0]\">Africanjujuism<\/p>\n <p class=\"card-subtitle\">The parallel term for fantasy rooted in African spirituality and philosophy.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841]\">\n <p class=\"card-title text-[#EB6841] line-through\">Roland Barthes<\/p>\n <p class=\"card-subtitle\">The novel directly refutes Barthes’s theory of “The Death of the Author.”<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <p class=\"card-subtitle\">Protagonist<\/p>\n <p class=\"card-title text-5xl text-[#CC333F]\">Zelu<\/p>\n <p class=\"card-subtitle\">Zelu Onyenezi-Oyedele<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <p class=\"card-subtitle\">Novel-within-a-Novel<\/p>\n <p class=\"card-title text-[#EDC951] italic\">Rusted Robots<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <div class=\"w-full space-y-2\">\n <div class=\"bg-gray-100 p-2 rounded-md font-bold\">1. Zelu’s Reality<\/div>\n <div class=\"bg-gray-100 p-2 rounded-md font-bold\">2. *Rusted Robots*<\/div>\n <div class=\"bg-gray-100 p-2 rounded-md font-bold\">3. Interviews<\/div>\n <\/div>\n <p class=\"card-subtitle mt-3\">The three main narrative layers of the novel’s structure.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841]\">\n <p class=\"card-subtitle\">Robot Protagonist<\/p>\n <p class=\"card-title text-5xl text-[#EB6841]\">Ankara<\/p>\n <p class=\"card-subtitle\">A Hume (android) Scholar<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <p class=\"card-title text-[#CC333F]\">“Prickly”<\/p>\n <p class=\"card-subtitle\">Zelu is deliberately characterized as complex, flawed, and unsympathetic, subverting hero tropes.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <div class=\"icon-box text-[#EDC951]\">\ud83c\udfac<\/div>\n <p class=\"card-title text-[#EDC951]\">Critique of Fame<\/p>\n <p class=\"card-subtitle\">Shows how art is distorted by social media and industry (e.g., whitewashing).<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <div class=\"icon-box text-[#00A0B0]\">\ud83e\uddbe<\/div>\n <p class=\"card-title text-[#00A0B0]\">Disability & Tech<\/p>\n <p class=\"card-subtitle\">Zelu’s exoskeleton grants autonomy but creates conflict with family.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841] bg-[#6A4A3C] text-white\">\n <p class=\"card-title text-[#EB6841]\">The Final Twist<\/p>\n <p class=\"card-subtitle text-gray-300\">Ankara, the robot, is revealed to be the true author of the entire narrative.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <p class=\"card-title text-[#CC333F]\">Death \u2192 Rebirth<\/p>\n <p class=\"card-subtitle\">The twist redefines the title: the creator (Zelu) is superseded by the AI creation.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <div class=\"icon-box text-yellow-400\">\u2605\u2605\u2605\u2605\u2605<\/div>\n <p class=\"card-title text-[#EDC951]\">Critical Consensus<\/p>\n <p class=\"card-subtitle\">Almost universally laudatory; a “masterpiece of metafiction.”<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <div class=\"icon-box\">\ud83d\udde3\ufe0f vs \ud83d\udd8b\ufe0f<\/div>\n <p class=\"card-title text-[#00A0B0]\">Reader Reception<\/p>\n <p class=\"card-subtitle\">Passionately divided; a vocal minority finds it unlikable or “toxic.”<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841]\">\n <p class=\"card-title text-[#EB6841]\">The Reception Gap<\/p>\n <p class=\"card-subtitle\">Caused by the novel’s moral ambiguity and complexity, which frustrates some readers.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <p class=\"card-subtitle italic\">*Who Fears Death*<\/p>\n <p class=\"card-title text-[#CC333F]\">World Fantasy Award<\/p>\n <p class=\"card-subtitle\">(2011)<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <p class=\"card-subtitle italic\">*Binti* (2016)<\/p>\n <p class=\"card-title text-[#EDC951]\">Hugo Award<\/p>\n <p class=\"card-title text-[#EDC951]\">& Nebula Award<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <p class=\"card-title text-[#00A0B0]\">Literary Lineage<\/p>\n <p class=\"card-subtitle\">Frequently compared to pioneering author Octavia E. Butler.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EB6841]\">\n <p class=\"card-title text-[#EB6841]\">In Conversation With<\/p>\n <p class=\"card-subtitle\">The critique of publishing places it alongside R.F. Kuang’s *Yellowface*.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#CC333F]\">\n <div class=\"icon-box text-[#CC333F]\">\u2699\ufe0f+\ud83c\udf3f<\/div>\n <p class=\"card-title text-[#CC333F]\">No Dichotomy<\/p>\n <p class=\"card-subtitle\">Rejects the Western separation of technology and nature, showing them as symbiotic.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#EDC951]\">\n <p class=\"card-title text-[#EDC951]\">Push & Pull<\/p>\n <p class=\"card-subtitle\">The tension between American individualism and Nigerian community values.<\/p>\n <\/div>\n\n \n <div class=\"card rounded-lg shadow-md p-6 border-[#00A0B0]\">\n <p class=\"card-title text-[#00A0B0]\">Not a Simple “Cure”<\/p>\n <p class=\"card-subtitle\">The exoskeleton is a nuanced exploration of autonomy, not a simple fix for disability.<\/p>\n <\/div>\n\n <\/main>\n\n<\/body>\n<\/html>\n","protected":false},"excerpt":{"rendered":"<p>Full Death of the Author Book Report Quiz on Research Information The Author Reborn: An Infographic on Nnedi Okorafor’s “Death of the Author” The Author Reborn Creation, Identity, and Africanfuturism in Nnedi Okorafor’s Death of the Author Part I: The Architect Nnedi Okorafor’s literary universe is born from her unique “Naijamerican” identity. The daughter of<span class=\"post-excerpt-end\">…<\/span><\/p>\n<p class=\"more-link\"><a href=\"https:\/\/hansoneducationservices.com\/?page_id=3684\" class=\"themebutton\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-3684","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/pages\/3684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3684"}],"version-history":[{"count":4,"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/pages\/3684\/revisions"}],"predecessor-version":[{"id":3692,"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=\/wp\/v2\/pages\/3684\/revisions\/3692"}],"wp:attachment":[{"href":"https:\/\/hansoneducationservices.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

{"id":3684,"date":"2025-08-01T13:12:27","date_gmt":"2025-08-01T13:12:27","guid":{"rendered":"https:\/\/hansoneducationservices.com\/?page_id=3684"},"modified":"2025-08-01T13:52:09","modified_gmt":"2025-08-01T13:52:09","slug":"death-of-the-author-by-nnedi-okorafor","status":"publish","type":"page","link":"https:\/\/hansoneducationservices.com\/?page_id=3684","title":{"rendered":"Death of the Author by Nnedi Okorafor"},"content":{"rendered":"\n

Full Death of the Author Book Report<\/a><\/p>\n\n\n\n